• On Artists’ Houses (Hospitalfield, Arbroath, Scotland, 9th November, 2024)
  • Gregg Bordowitz. Dort ein Gefühl. Bonner Kunstverein (e-flux criticism, 16th October, 2024)
  • On Homemaking, with Mark Barker (Between Bridges, Berlin, 15th September, 2024)
  • An Interview with Jimmy Robert, Jimmy Robert. The Man who Envied Women. (Berlin: Bierke Verlag, 2024)
  • Split-second Space, Judith Eisler. Center of the Frame (Milan: Lenz Press, 2024)
  • A Conversation with Tolia Astakhishvili (Sculpture Center, New York, 11th May, 2024)
  • Kirsty Bell. Dip Akıntıları (translated by Yasemin Çongar) (Istanbul: Siren Yayınları, 2024) → read more
  • Isabelle Cornaro. Looking at Things (Elaine Alain, April, 2024)
  • Käthe Kollwitz. For Greater Berlin, Käthe Kollwitz, (New York: MoMA, 2024)
  • An interview with Thea Djordjadze (Study Magazine, Vol. 6, 2024)
  • The Reds, Sauerbruch Hutton. Drawing in Space (Berlin: Tchoban Foundation, 2024)
  • How to Make Space with Kirsty Bell (American Library, Paris, 21st February, 2024)
  • Canine Fundamentals, Asta Gröting. Das Wesen von X (Leipzig: Spector Books, 2023)
  • Billy Bultheel & James Richards’ “Workers in Song”. WIELS, Brussels (e-flux criticism, 26th September, 2023)
  • Spillages. With Kristian Vistrup Madsen, Vera Palme and Johanna Pistorius (Haus am Waldsee, Berlin, 26th August, 2023)
  • Rooms & Things, Tolia Astakhishvili. The First Finger, Chapter II (Berlin: Haus am Waldsee, 2023)
  • Spazierengehen in Berlin. Mit David Wagner. (Berliner Bücherfest, Berlin, 17th June, 2023)
  • Common Ground, Walking in Berlin. With Amande Lee Koe and Maaza Mengiste. (DAAD, Berlin, 11th June, 2023)
  • Rosemarie Trockel, MMK Frankfurt (4Columns, 26th May, 2023)
  • Kirsty Bell. Corrientes subterráneas (translated by Elena Pérez San Miguel) (Madrid: Errata Naturae, 2023) → read more
  • Marc Camille Chaimowicz’s Sitting Rooms (WIELS, Brussels, 26th April, 2023)
  • Berlin as Metaphor. With Vincenzo Latronico. (Literarisches Colloquium, Berlin, 3rd April, 2023)
  • Plans & Drawings, Tolia Astakhishvili. The First Finger (Bonn: Bonner Kunstverein, 2023)
  • Kirsty Bell. Le correnti sotterranee. (translated by Anna Lovisolo) (Torino: EDT, 2023) → read more
  • Approaching a City: Edward Hopper’s Visions of Urban Space (Whitney Museum of American Art, New York, 15th February, 2023)
  • Reinhard Mucha. “Der Mucha – An Initial Suspicion.” Kunstsammlung Nordrhein-Westfalen, Düsseldorf (e-flux criticism, 9th February, 2023)
  • Marc Camille Chaimowicz. Party Pieces (The World of Interiors, February, 2023)
  • A Liquid Intelligence, Ketuta Alexi-Mekhishvili. Flush (Berlin: Galerie Molitor, 2023)
  • Tool and Material, or Wade Guyton and the Readymade, Wade Guyton. MCMXCIX-MMXIX. Zwei Dekaden Vol. II (Cologne: Museum Ludwig, 2022)
  • On The Undercurrents, in conversation with Ulrich Baer (Greene Naftali Gallery, New York, 11th November, 2022)
  • On Kurt Schwitters Merz Barn (frieze, 9th November, 2022)
  • History, Conflict, and Myth-Making in the Cityscape of Berlin (Lit Hub, 4th November, 2022)
  • On The Undercurrents, in conversation with Elvia Wilk (192 Books, New York, 28th September, 2022)
  • Kirsty Bell. The Undercurrents. A Story of Berlin. (New York: Other Press, 2022) → read more
  • Edward Hopper’s Studio: The Room Beyond, Approaching a City: Edward Hopper's New York (New York: Whitney Museum of American Art, 2022)
  • If Berlin Walls Could Talk (Edinburgh International Book Festival, Edinburgh, 17th August, 2022)
  • In Conversation with Haegue Yang, on Mesmerizing Mesh (Galerie Barbara Wien, Berlin, 2nd July, 2022)
  • Meet me at the water’s edge (Haus am Waldsee, Berlin, 26th June, 2022)
  • Gezeiten der Stadt. Eine Geschichte Berlins (Landeszentrale für politische Bildung, Berlin, 24th June, 2022)
  • Homelands: The Undercurrents (International Literature Festival, Dublin, 26th May, 2022)
  • Lecture Series: From the Street to the Studio – Everyday Matter in Exhibition Making (Hochschule für Bildende Künste, Braunschweig, 22nd April, 2022)
  • Xinyi Cheng. The Illogic of Color, Xinyi Cheng. Seen Through Others (Paris: Lafayette Anticipations, 2022)
  • Kirsty Bell. The Undercurrents. A Story of Berlin. (London: Fitzcarraldo Editions, 2022) → read more
  • It takes energy to die …, Every Ocean Hughes. Help the Dead (Bergen: VOLT, 2022)
  • Gezeiten der Stadt. Eine Geschichte Berlins (Literaturhaus Berlin, Berlin, 26th October, 2021)
  • Kirsty Bell. Gezeiten der Stadt. Eine Geschichte Berlins. (translated by Laura Su Bischoff & Michael Bischoff) (Berlin: Kanon Verlag, 2021) → read more
  • Social Fabric Earth Return. An Afterword, Claudia Hill. Social Fabric Earth Return (Berlin: Bom Dia Boa Tarde Boa Noite, 2021)
  • Second Skins, Alexandra Bircken: A-Z (Munich: Museum Brandhorst, 2021)
  • The Displacement Effect (Capitain Petzel, Berlin, 2021)
  • The Unobservables: James Richards and Leslie Thornton, Divine Drudgery (Milan: Lenz Press, 2021)
  • Window as Limit (Malmö Art Academy, Malmö, 5th May, 2021)
  • As If These Colors Could Heal One Of Indecision Once And For All, Andreas Eriksson. Cutouts (Berlin: Hatje Cantz Verlag, 2021)
  • Kirsty Bell & Ketuta Alexi-Meskhishvili. Boiled Language (Tblisi: Kona Books, 2020) → read more
  • Haegue Yang. Life’s Complex (Tate Etc., Issue 50, 2020)
  • A conversation with Marte Eknæs about Air Conditions (Kunsthall Stavanger, 25th May, 2020)
  • Staircase Mystery, Karl Holmqvist. Existential Staircase (Kassel: Fridericianum, 2020)
  • A Tree is a Tree is a Tree, Henrik Håkansson. One Hundred Pieces of a Tree (Berlin: Hatje Cantz Verlag, 2020)
  • Allison Katz. The Artist and Her Familiars, Allison Katz (Geneva: JRP Editions, 2020)
  • Vision and Intermediary. On Language and the Material Imagination. (Royal Danish Academy of Fine Arts, Copenhagen, 4th March, 2020)
  • Tool & Material, or Wade Guyton and the Readymade (Museum Ludwig, Cologne, 11th February, 2020)
  • On Mark Leckey’s ‘Fiorucci Made Me Hardcore’, with Mitch Speed (OHM, Berlin, 8th February, 2020)
  • Forensics of the Readymade (Malmö Art Academy, Malmö, 25th November, 2019)
  • Katharina Grosse. Choreographies in Colour (König, Issue 5, 2019)
  • Great White Fear. Jana Euler, Galerie Neu, Berlin (frieze, Issue 205, 2019)
  • A House of Three Corners, A House of Three Corners (Turin: Galleria Franco Noero, 2019)
  • Christine Roland and Jason Dodge. Wunder Kin (The World of Interiors, June, 2019)
  • Kurt Schwitters. Dwelling and Dreamspace, Homecomings 1,2,3, etc. (Berlin: archive books, 2019)
  • How to Read a City. A Prelude (Malmö Art Academy, Malmö, 14th March, 2019)
  • Daniel Pflumm, Galerie Neu, Berlin (art-agenda.com, 26th February, 2019)
  • How to Read a City: A Prelude (Karma, New York, 13th January, 2019)
  • Ian White. Reflect, Suspend, Dismantle (KW Institute for Contemporary Art, Arsenal Institut for Film and Video Art, Berlin, 2019)
  • Here’s the Thing. The Resonance of Stuff (frieze, Issue 200, 2019)
  • Alex Katz. It Could Be a Pretty Girl, or It Could Be Something Else, Alex Katz. Painting the Now (Munich: Museum Brandhorst / Hirmer Verlag, 2018)
  • Matters of Style (University of Applied Arts, Vienna, 26th November, 2018)
  • Bad Science: James Richards and Leslie Thornton’s Studies in Cold War Fear (frieze, Issue 198, 2018)
  • Günther Förg: At the Edges of the Visual Field (Stedelijk Museum, Amsterdam, 9th September, 2018)
  • Between Dreams and Daily Work. Notes on Alina Szapocznikow’s Studio, Alina Szapocznikow. Human Landscapes (Cologne: Verlag der Buchhandlung Walther König, 2018)
  • I Have to be Curious. Otherwise I get bored. An Interview with Cecilia Edefalk (frieze, 22nd June, 2018)
  • Black Flags, a work by Ian White (Picpus, Issue No. 20, 2018)
  • Marc Camille Chaimowicz. Decoration and Domesticity (The Jewish Museum, New York, 17th May, 2018)
  • Ian White. Any frame is a thrown voice (co-curated with Mike Sperlinger) (Camden Arts Centre, London, 2018)
  • Ian White, File Note (London: Camden Arts Centre, 2018)
  • Amelie von Wulffen. Composite Realities (Art in America, Feb Issue, 2018)
  • Adam Linder. Parade, Adam Linder: Who is Surfing Who (Los Angeles: Hammer Museum, 2018)
  • Martin Kippenberger and the Miserable Body, Martin Kippenberger / Maria Lassnig. Body Check (Bolzano/Munich/Cologne: Museion / Lenbachhaus / Snoeck, 2018)
  • Marc Camille Chaimowicz. Reiteration and Refrain, Marc Camille Chaimowicz. One to One (Hanover/Milan: Kestnergesellschaft / Mousse Publishing, 2018)
  • Günther Förg and the Edges of the Visual Field, Günther Förg. A Fragile Beauty (Dallas/Amsterdam: Dallas Museum of Art / Stedelijk Museum, 2018)
  • Juliette Blightman. The Soul Slips In, Juliette Blightman. Scripts, Descriptions and Texts (Bern: Kunsthalle Bern, 2018)
  • Perverse Objects, Plastiglomerates and Vibrant Matter in the Natural World, Speculations on Anonymous Materials, nature after nature, Inhuman (Kassel/London: Fridericianum / Koenig Books, 2018)
  • Wade Guyton. New Forms of Modernism; Ambivalence and Ambiguity; ‘An Act of Processing’, Writings on Wade Guyton (Zurich: JRP Ringier & Les Presses du Réel, 2018)
  • On Laura Owens Idea of Edges, Laura Owens (New York: Whitney Museum of American Art, 2017)
  • Documenta 14: Pläydoyer der Jetztzeit (Radio Athenes, Athens, 18th November, 2017)
  • In Conversation with Axel Vervoordt and Johann König (Frieze Conference on Art & Architecture, London, 2nd October, 2017)
  • A Garden of Glass, Lobmeyr Contemporary. Design since 2000 (Vienna: Birkhäuser, 2017)
  • Beside Yourself. Losing your place in the world (frieze, Issue 189, 2017)
  • Enemy of the Stars, KW Institute for Contemporary Art, Berlin (frieze, Issue 189, 2017)
  • Siri Aurdal. Aspects of a Living Sculpture, Mirrored, Nordic Pavilion at the 57th Venice Biennial (Milan: Mousse Publishing, 2017)
  • Learning from Athens? (Mousse Magazine, Issue 58, 2017)
  • On Emily Wardill (Bergen Kunsthall, Bergen, 16th February, 2017)
  • Thomas Bayrle. The Massive Scale of Sameness (ICA, Miami, 2nd February, 2017)
  • In Conversation with Pieter Schoolwerth (Galerie Capitain Petzel, Berlin, 21st January, 2017)
  • Peyton After Peyton: On Reality and Archetype, Elizabeth Peyton. Dark Incandescence (New York: Rizzoli, 2017)
  • Emily Wardill. Informal Dreams Dreamed in Public, Emily Wardill. Things Keep their Secrets (Bergen: Bergen Kunsthall, 2017)
  • Helke Bayrle’s Living Archive, Helke Bayrle (Frankfurt/Berlin: Portikus / Sternberg Press, 2017)
  • Performing the Personal. On the Art of Monika Baer (frieze, Issue 184, 2017)
  • Wade Guyton, MAMCO, Geneva (frieze, Issue 184, 2017)
  • Décor. Villa Empain, Boghossian Foundation, Brussels, Belgium (frieze, Issue 184, 2017)
  • 2016 Highlights (frieze.com, 26th December, 2016)
  • Acting Itself Out: Painting, Theatre and Staged Confessions (University of Applied Arts, Vienna, 14th November, 2016)
  • Thomas Bayrle. Part to Whole (Art in America, Nov Issue, 2016)
  • In Conversation with Gabriel Orozco and Stephanie Macdonald (Frieze Conference on Art & Architecture, London, 4th October, 2016)
  • In Conversation with Francis Upritchard and Martino Gamper (Frieze Conference on Art & Architecture, London , 4th October, 2016)
  • In Conversation with James Richards (ICA, London, 3rd October, 2016)
  • In Conversation with Wolfgang Tillmans (Between Bridges, Berlin, 23rd June, 2016)
  • Marc Camille Chaimowicz and John Latham. On Inhabitation, NOIT-3. Tears Shared, ed. Marc Camille Chaimowicz and Andrew Wheatley (London: Camberwell Press and Flat Time House, 2016)
  • Aleksandra Domanović, Tanya Leighton, Berlin (frieze, Issue 180, 2016)
  • Rag-picking in a Digital Age (Kunstakademie, Düsseldorf, 1st May, 2016)
  • Glasgow International (art-agenda.com, 13th April, 2016)
  • Susanne Kriemann. Rock, Furnace, Rubble, Tunnel, Susanne Kriemann. Duskdust (Berlin: Sternberg Press, 2016)
  • Recalibrating the Eye. Ken Okiishi and Kirsty Bell in Conversation (Camera Austria International, Issue 134, 2016)
  • Choice & Chance. At what point does a doodled line become a nose? The paintings of Allison Katz (frieze, Issue 178, 2016)
  • Rag Picking. Why has abjection gained renewed currency in art? (frieze d/e, Issue 23, 2016)
  • Lars Laumann, Kunstnernes Hus, Oslo (frieze, Issue 178, 2016)
  • Isa Genzken, Stedelijk Museum, Amsterdam (frieze, Issue 177, 2016)
  • Everyday Matter in Exhibition Making (Malmö Art Academy, Malmö, 15th February, 2016)
  • Lucy McKenzie. That Which Pleases (Art in America, Feb Issue, 2016)
  • Martin Kippenberger’s Self-Portraits, or The Importance of Ernest’s Jacket, Martin Kippenberger: Catalogue Raisonné of the Paintings, Volume Three 1987-1992 (Cologne: Verlag der Buchhandlung Walther König, 2016)
  • Magali Reus. Why Look at Objects?, Magali Reus: Mustard (Zürich/Amsterdam: JRP Ringier / Stedelijk Museum, 2016)
  • James Richards. Seeing and Being Seen (frieze, Issue 180, 2016)
  • Raymond Hains, Galerie Max Hetzler, Berlin (frieze, Issue 176, 2016)
  • Interview with Carsten Nicolai, Carsten Nicolai. Parallel Lines Cross at Infinity (Berlin: Gestalten Verlag, 2015)
  • 14th Istanbul Biennial. Various venues, Turkey (frieze, Issue 175, 2015)
  • Nicole Wermers. Between the Lines (L’Officiel Art, Sep - Nov Issue, 2015)
  • Anicka Yi, Kunsthalle Basel (frieze, Issue 173, 2015)
  • Go Tell It on the Mountain, Politische Landschaft / Political Landscape. Kunst, Widerstand, Salzkammergut (Berlin: Sternberg Press, 2015)
  • Michael Beutler. Ex Machina (frieze d/e, Issue 20, 2015)
  • Bojan Šarčević, BQ, Berlin, Germany (frieze, Issue 172, 2015)
  • Two By Two. Mary Heilmann & David Reed, Hamburger Bahnhof, Berlin (frieze, Issue 172, 2015)
  • Gallery Weekend Berlin (art-agenda.com, 4th May, 2015)
  • Meyer Vaisman, Portikus, Frankfurt (frieze, Issue 171, 2015)
  • On The Artist’s House (Radio Athenes, Athens, 22nd April, 2015)
  • Etc. Essay: Textiles and art (Tate Etc., Issue 33, 2015)
  • Aleksandra Domanović. Digital Sculptor (Art in America, Apr Issue, 2015)
  • Sleep On It. Shrinking workspaces and reclining labour (frieze d/e, Issue 18, 2015)
  • Yael Bartana, Capitain Petzel, Berlin (art-agenda.com, 25th February, 2015)
  • Martin Arnold. One need not be a chamber to be haunted, Martin Arnold. Gross Anatomies (Vienna: Verlag für Moderne Kunst, 2015)
  • Marc Camille Chaimowicz’s Provisional Interiors (Parkett, Issue 96, 2015)
  • Christina Mackie’s The Judges, Christina Mackie (Nottingham: Nottingham Castle Museum, 2015)
  • 2014 Highlights (frieze d/e blog, 31st December, 2014)
  • Frankfurt’s Städelschule: Free Artistic Work and the Paradox of Introversion (artandeducation.net, 8th December, 2014)
  • Judith Hopf. Situational Humor (Art in America, Dec Issue, 2014)
  • Let The Body Be Electric, Let There Be Whistleblowers. Dan Gunn, Berlin (frieze, Issue 167, 2014)
  • Alice Neel. Her Family and Other Animals, Alice Neel. My Animals and Other Family (London: Victoria Miro, 2014)
  • In Focus: Katja Novitskova (frieze, Issue 166, 2014)
  • Mariana Castillo Deball. A Vital Asymmetry, Mariana Castillo Deball. Parergon (Berlin/Cologne: Hamburger Bahnhof / Verlag der Buchhandlung Walther König, 2014)
  • Dorothy Iannone. The Whole Truth (frieze d/e, Issue 16, 2014)
  • Christina Mackie. The Weight of Things (Art in America, Sep Issue, 2014)
  • Julian Beck, Supportico Lopez, Berlin (frieze d/e, Issue 16, 2014)
  • Reinhard Mucha, Sprüth Magers, Berlin, (frieze, Issue 165, 2014)
  • Gerry Bibby / Juliette Blightman, KUB Arena, Kunsthaus Bregenz (frieze, Issue 164, 2014)
  • Daniel Gustav Cramer. Disappearances, Daniel Gustav Cramer. 01-72 (Basel: Christophe Daviet-Thery and Samuel Leuenberger / SALTS, 2014)
  • On The Artist’s House (Gavin Brown’s enterprise, New York, 25th May, 2014)
  • On The Artist’s House, in Conversation with Sharon Johnston (356 Mission, Los Angeles, 25th May, 2014)
  • The Artist’s House. Slide Lecture (Inverleith House, Edinburgh, 12th May, 2014)
  • In Focus: Loretta Fahrenholz (frieze, Issue 163, 2014)
  • The Artist and the Place (Bonniers Konsthall, Stockholm, 12th March, 2014)
  • how to write III | artists read their texts’ at Galerie Wien Lukatsch, Berlin (art-agenda.com, 5th March, 2014)
  • Annette Kelm. Analog Encounters (Art in America, Mar Issue, 2014)
  • Book Presentation: The Artist’s House (Villa Stuck, Munich, 28th February, 2014)
  • Textiles (frieze d/e, Issue 13, 2014)
  • In the Studio: Pablo Bronstein (Art in America, Feb Issue, 2014)
  • Andreas Eriksson. Landscape as Memory, Limit as Method, Andreas Eriksson (London: Koenig Books, 2014)
  • The Artist’s House. Notes on Objects and Inhabitation, QUIZ. Sur une idée de Robert Sadler (Nancy/Paris: Galerie Poirel / Manuella Editions, 2014)
  • 2013 Highlights (frieze d/e blog , 31st December, 2013)
  • Pablo Bronstein, Centre d’art contemporain, Geneva (frieze d/e, Issue 12, 2013)
  • Symposium: Educating Artists? (KW Institute for Contemporary Art, Berlin, 8th November, 2013)
  • Alejandro Cesarco. n.b.k. Showroom, Berlin (Camera Austria International, Issue 124, 2013)
  • The Artist’s House. From Workplace to Artwork (Oslo Academy of Art, Oslo, 30th October, 2013)
  • Henrik Olesen’s “Hysterical Men” at Galerie Buchholz, Berlin (art-agenda.com, 29th October, 2013)
  • Kirsty Bell. The Artist’s House. From Workplace to Artwork (Berlin: Sternberg Press, 2013) → read more
  • Phil Collins. Attending Intently to You (Art in America, Oct Issue, 2013)
  • Sunrise to Sunset. T.J. Wilcox talks to Kirsty Bell (frieze, Issue 157, 2013)
  • Let’s Get Together. ‘Painting Forever!’ (frieze, Issue 157, 2013)
  • Lena Maria Thüring, Lena Maria Thüring. Manor Kunstpreis Basel 2013 (Basel: Museum für Gegenwartskunst, 2013)
  • Eduard van der Heydt (Picpus, Sep Issue, 2013)
  • Il Palazzo Enciclopedico. 55. Biennale di Venezia (frieze d/e, Issue 11, 2013)
  • Stefan Müller, Koelnischer Kunstverein, Cologne (frieze, Issue 156, 2013)
  • Eva Kotátková’s “They are Coming” at Meyer Riegger, Berlin (art-agenda.com, 5th June, 2013)
  • An Interview with Günther Förg (Mousse Magazine, Issue 39, 2013)
  • Outsider Trading (frieze d/e, Issue 10, 2013)
  • Thea Djordjadze. The Secret Life of Objects (Art in America, May Issue, 2013)
  • In Conversation with Katharina Grosse (Art Cologne, Cologne, 19th April, 2013)
  • Thomas Scheibitz. Code Maker (frieze, Issue 154, 2013)
  • Ed Atkins’ “Warm, Warm, Warm Spring Mouths” at Galerie Isabella Bortolozzi, Berlin (art-agenda.com, 1st April, 2013)
  • Neptune Society. Galerie Daniel Buchholz, Berlin (frieze, Issue 153, 2013)
  • Katharina Grosse. Off the Wall (frieze d/e, Issue 8, 2013)
  • Anna Molska (frieze, Issue 160, 2013)
  • Jessica Jackson Hutchins. Invisible Bodies, Jessica Jackson Hutchins. Everything Erlaubt (Wakefield/Biel: The Hepworth Wakefield / Kunsthaus Pasquart, 2013)
  • Jeppe Hein. Step Right Up, Jeppe Hein. A Smile for You (Stockholm/London: Bonniers Konsthall / Koenig Books, 2013)
  • Marie Lund, Croy Nielsen, Berlin (frieze, Issue 152, 2013)
  • Monica Bonvicini, Deichtorhallen – Sammlung Falckenberg, Hamburg (frieze, Issue 152, 2013)
  • “Believers”, KOW, Berlin (art-agenda.com, 19th December, 2012)
  • Roni Horn. Ripples like Water or Expressions on a Face, Roni Horn (Munich/Berlin: Sammlung Goetz / Hatje Cantz, 2012)
  • Emily Wardill. Borderlands (Art in America, Nov Issue, 2012)
  • Monika Sosnowska. Through the Eye of Architecture (Camera Austria International, Issue 120, 2012)
  • Rob Pruitt, Kunstverein Freiburg (frieze, Issue 150, 2012)
  • Jimmie Durham. Various Elements (frieze, Issue 150, 2012)
  • The New Décor (London: Hayward Publishing, 2012)
  • Dominique Gonzalez-Foerster’s “Return to No-Return”, Esther Schipper, Berlin (art-agenda.com, 14th May, 2012)
  • Claes Oldenburg, Mumok, Vienna (frieze, Issue 147, 2012)
  • Open Eyes (frieze, Issue 147, 2012)
  • Alina Szapocznikow. Bodily Presence (Art in America, Apr Issue, 2012)
  • Amy Sillman, Capitain Petzel, Berlin (frieze d/e, Issue 4, 2012)
  • Seven Chapters on Charline von Heyl, Charline von Heyl. Now or Else (Nürnberg/Liverpool/Bielefeld: Kunsthalle Nürnberg / Tate Liverpool / Kerber Verlag, 2012)
  • Cathy Wilkes and the Vantage Point of Being Alive (Gesellschaft für Aktuelle Kunst, Bremen, 12th January, 2012)
  • Hilary Lloyd Works, Hilary Lloyd (Basel/Berlin: Museum für Gegenwartskunst / Hatje Cantz, 2012)
  • Rosa Barba and the Fabric of Language, Rosa Barba. In Conversation with (Milan: Mousse Publishing, 2012)
  • A Mapping of Mona Hatoum, Mona Hatoum. You Are Still Here. (Istanbul: Arter, 2012)
  • Jos de Gruyter & Harald Thys, Neuer Aachener Kunstverein (frieze, Issue 142, 2011)
  • Hilary Lloyd. Paying Attention (Camera Austria International, Issue 115, 2011)
  • ILLUMInations. 54. Biennale di Venezia (Camera Austria International, Issue 115, 2011)
  • International Pavilions. 54th Venice Biennale (art-agenda.com, 6th June, 2011)
  • Janet Cardiff & George Bures Miller. The Imagination is Never Wrong, Janet Cardiff & George Bures Miller. Käthe-Kollwitz-Preis 2011 (Berlin: Akademie der Künste, 2011)
  • Martin Creed’s “Paintings” at Johnen Galerie, Berlin (art-agenda.com, 12th May, 2011)
  • Rosa Barba. Suspended Animation (frieze, Issue 139, 2011)
  • The Studio Reader: On the Space of Artists (Camera Austria International, Issue 114, 2011)
  • Heimo Zobernig. Showroom Dummies (frieze d/e, Issue 1, 2011)
  • Collier Schorr. The Regularity of Difference (Camera Austria International, Issue 114, 2011)
  • Cerith Wyn Evans’s “Assemblage” at Galerie Neu, Berlin (art-agenda.com, 10th March, 2011)
  • Absalon, KW Institute for Contemporary Art, Berlin (frieze, Issue 137, 2011)
  • VIP Art Fair (art-agenda.com, 26th January, 2011)
  • Susanne M. Winterling. Traces of the True, Susanne M. Winterling. Kunstpreis der Stadt Nordhorn 2010 (Nordhorn: Städtische Galerie Nordhorn, 2011)
  • The Good, The Bad, and the Impossible. Perspectives on Painting in an Open Field. Conversation with Alexander Schröder, abc art berlin contemporary: about painting (Milan: Mousse Publishing, 2011)
  • Werner Feiersinger. Out of the Ordinary, Werner Feiersinger. Sculpture (Berlin: Distanz, 2011)
  • Nick Relph. A History of Tartan (Mousse Magazine, Issue 26, 2010)
  • Jay Chung and Q Takeki Maeda (frieze, Issue 135, 2010)
  • Willem de Rooij, Neue Nationalgalerie, Berlin (Camera Austria International, Issue 112, 2010)
  • Renata Lucas, KW Institute for Contemporary Art, Berlin (Von Hundert, Nov Issue, 2010)
  • art forum berlin & abc art berlin contemporary: “light camera action” (art-agenda.com, 13th October, 2010)
  • Klaus Weber. What Goes Around (frieze, Issue 134, 2010)
  • Various texts, Frieze Yearbook 2010 (London: Frieze Publishing, 2010)
  • Abstract Painting: Dunham, von Heyl, Mauss (Academy of Applied Arts, Vienna, 1st October, 2010)
  • Rashid Johnson’s ‘There are Stranger Villages’ at Guido W. Baudach, Berlin (art-agenda.com, 23rd September, 2010)
  • Arto Lindsay (frieze.com, 20th September, 2010)
  • Matthew Buckingham (Mousse Magazine, Issue 25, 2010)
  • What is Waiting Out There.
 6th Berlin Biennale for Contemporary Art (Camera Austria International, Issue 111, 2010)
  • Elizabeth Peyton, At Home/Not At Home (Annandale on Hudson, NY: Bard College, 2010)
  • Nick Mauss, Nick Mauss. Geschenkpapiere (London: Koenig Books, 2010)
  • Liam Gillick’s “1848!!!” at Esther Schipper, Berlin (art-agenda.com, 14th July, 2010)
  • Cathy Wilkes. The Vantage Point of Being Alive (Mousse Magazine, Issue 24, 2010)
  • Simon Fujiwara (frieze, Issue 132, 2010)
  • The Way We Do Art Now. Tanya Leighton Gallery, Berlin (frieze, Issue 132, 2010)
  • Whitney Biennial 2010 (Camera Austria International, Issue 110, 2010)
  • Rudolf Stingel. Surface Tension (frieze, Issue 131, 2010)
  • Early Years. KW Institute for Contemporary Art, Berlin (frieze, Issue 131, 2010)
  • Alicja Kwade. Uncommon Objects, Alicja Kwade (Hannover/Münster : Kestnergesellschaft / Westfaelischer Kunstverein, 2010)
  • Manuel Graf. The Craftsman (Mousse Magazine, Issue 22, 2010)
  • Artist, Home and Artefact. Schwitters, Krasiński, Winterling (Gesellschaft für Aktuelle Kunst, Bremen, 14th January, 2010)
  • Ruth Laskey, Galerie Cinzia Friedlaender, Berlin (frieze, Issue 128, 2010)
  • The Art of Tomorrow (Berlin: Distanz, 2010)
  • General Idea, Esther Schipper, Berlin (Von Hundert, Nov Issue, 2009)
  • Thomas Demand, Neue Nationalgalerie, Berlin (frieze, Issue 127, 2009)
  • Perversely Yours…. (Kaleidoscope, Nov - Dec Issue, 2009)
  • Jonathan Horowitz. State of the Nation (frieze, Issue 127, 2009)
  • 53. Biennale di Venezia (Camera Austria International, Issue 107, 2009)
  • Various texts, Frieze Yearbook 2009 (London: Frieze Publishing, 2009)
  • Björn Braun (Mousse Magazine, Issue 20, 2009)
  • Confiscating: Nora Schultz (Mousse Magazine, Issue 19, 2009)
  • Carol Rama, Galerie Isabella Bortolozzi, Berlin (frieze, Issue 124, 2009)
  • Hanne Darboven, Klosterfelde, Berlin (Von Hundert, Jun Issue, 2009)
  • Interior / Exterior, Kunstmuseum Wolfsburg (frieze, Issue 124, 2009)
  • Charline von Heyl. Its Own Reality (frieze, Issue 123, 2009)
  • Katja Strunz, Contemporary Fine Arts, Berlin (frieze, Issue 121, 2009)
  • Deborah Ligorio (frieze, Issue 121, 2009)
  • Kara Uzelman. The Cavorist Project, Sommer & Kohl, Berlin (Von Hundert, Feb Issue, 2009)
  • Susanne Winterling (Camera Austria International, Issue 105, 2009)
  • Various texts, 100 Contemporary Artists (Cologne: Taschen Verlag, 2009)
  • Klaus Weber, Vitamin 3D. New Perspectives in Sculpture and Installation (London: Phaidon, 2009)
  • Carroll Dunham. The Thing and the Natural World, Carroll Dunham. Works on Paper (Cologne: Museum Ludwig, 2009)
  • 55th Carnegie International. Life on Mars (Camera Austria International, Issue 104/103, 2008)
  • Various texts, Frieze Yearbook 2008 (London: Frieze Publishing, 2008)
  • Sophia Tabatadze. Under Construction (BE, Issue 15, 2008)
  • A Bit of Matter (Karriere, Issue 3, 2008)
  • Thomas Demand, Kunsthalle Hamburg (Camera Austria International, Issue 102, 2008)
  • Carroll Dunham, c/o Alte Gerhardsen, Berlin (Von Hundert, Jul Issue, 2008)
  • Fischli & Weiss, Deichtorhallen Hamburg (Camera Austria International, Issue 102, 2008)
  • Manfred Kuttner, Johann König, Berlin (frieze, Issue 116, 2008)
  • Monika Sosnowska. Time and Space (frieze, Issue 116, 2008)
  • A Mapping of Mona Hatoum, Mona Hatoum. Unhomely (Berlin: Galerie Max Hetzler, 2008)
  • Jimmy Robert (frieze, Issue 115, 2008)
  • Emily Jacir. Another Country (frieze, Issue 114, 2008)
  • Annette Kelm (frieze, Issue 113, 2008)
  • Kirsten Pieroth, Klosterfelde, Berlin (Von Hundert, Feb Issue, 2008)
  • Alice Neel, Aurel Scheibler, Berlin (frieze, Issue 112, 2008)
  • Nick Mauss, Galerie Neu, Berlin (frieze, Issue 112, 2008)
  • Uwe Henneken. Once Upon a Time in the West, Uwe Henneken. Tiptoe to Tipperary (Berlin: Contemporary Fine Arts, 2008)
  • Mark Leckey. Being in the World (Camera Austria International, Issue 101, 2008)
  • 52. Biennale di Venezia (Camera Austria International, Issue 100, 2007)
  • Focus: Tilo Schulz (frieze, Issue 111, 2007)
  • Various texts, Frieze Yearbook 2007 (London: Frieze Publishing, 2007)
  • Andreas Slominski, Museum Boijmans van Beuningen, Rotterdam (frieze, Issue 110, 2007)
  • Neue Heimat, Berlinische Galerie, Berlin (frieze.com, 18th September, 2007)
  • Preis der Nationalgalerie für Junge Kunst, Hamburger Bahnhof, Berlin (frieze.com, 14th September, 2007)
  • Frances Stark, Van Abbemuseum, Eindhoven (frieze, Issue 109, 2007)
  • Danh Vo, Galerie Isabella Bortolozzi, Berlin (frieze, Issue 109, 2007)
  • Focus: Judith Hopf (frieze, Issue 109, 2007)
  • Christine Würmell (Camera Austria International, Issue 98, 2007)
  • Focus: Ulla von Brandenburg (frieze, Issue 106, 2007)
  • Frank Nitsche, Frank Nitsche (Cologne: Verlag der Buchhandlung Walther König, 2006)
  • Eberhard Havekost, Kunstmuseum Wolfsburg (frieze, Issue 99, 2006)
  • Berlin: City of Artists (Red Hot Magazine, Spring Issue, 2006)
  • Focus: Uwe Henneken (frieze, Issue 98, 2006)
  • Daria Martin. Track and Field (frieze, Issue 97, 2006)
  • Andrea Bowers, Mehdi Chouakri, Berlin / Matthew Antezzo, Klosterfelde, Berlin (Neue Review, Jan Issue, 2006)
  • Various texts, Art Now Vol. 2 (Cologne: Taschen Verlag, 2005)
  • Oliver Payne & Nick Relph, Serpentine Gallery, London (Camera Austria International, Issue 92, 2005)
  • Various texts, Frieze Yearbook 2005 (London : Frieze Publishing, 2005)
  • Klaus Weber. Interview (Untitled, Autumn Issue, 2005)
  • T.J. Wilcox (Afterall, Issue 12, 2005)
  • Focus: Wade Guyton (frieze, Issue 93, 2005)
  • Artur Żmijewski, Kunsthalle Basel (Camera Austria International, Issue 91, 2005)
  • Put About. A Critical Anthology on Independent Publishing, Bookworks (Camera Austria International, Issue 91, 2005)
  • International Art Galleries. Post-War to Post-Millenium (Cologne: Dumont Verlag, 2005)
  • Laura Owens, Laura Owens (Tokyo: Shiseido Gallery, 2005)
  • Fischli & Weiss. The Order of Things (Art Review, Jul Issue, 2005)
  • Focus: Markus Schinwald (frieze, Issue 92, 2005)
  • Focus: Torsten Slama (frieze, Issue 91, 2005)
  • An Aside: Selected by Tacita Dean, Camden Arts Centre, London (Camera Austria International, Issue 90, 2005)
  • Focus: Knut Henrik Henriksen (frieze, Issue 90, 2005)
  • Regarding Terror. KW Institute for Contemporary Art, Berlin (frieze, Issue 89, 2005)
  • The Persistence of Paper, Drawings (Berlin: Galerie Max Hetzler, 2005)
  • Hans-Peter Feldmann. Ask me no questions … and I’ll tell you no lies (Art Review, Dec / Jan Issue, 2004)
  • Landscapes, Turbulenz. Portikus Projekte 2001-2004 (Frankfurt: Portikus, 2004)
  • Aleksandra Mir (Camera Austria International, Issue 88, 2004)
  • Frances Stark. Collected Writings 1993-2000 (Camera Austria International, Issue 87, 2004)
  • Focus: Anselm Reyle (frieze, Issue 86, 2004)
  • Various texts, Frieze Yearbook 2004 (London: Frieze Publishing, 2004)
  • Bojan Šarčević, Carlier Gebauer, Berlin (frieze, Issue 85, 2004)
  • The Salvage City: Berlin Sculptors (Art Review, Jul-Aug Issue, 2004)
  • Kirsten Pieroth. Table of Contents (frieze, Issue 84, 2004)
  • Richard Prince. Women (Camera Austria International, Issue 87, 2004)
  • Kai Althoff. Escape Artist (Art Review, Jun Issue, 2004)
  • Frank Nitsche, Galerie Max Hetzler, Berlin (frieze, Issue 83, 2004)
  • Formalism. Modern Art Today, Hamburger Kunstverein, Hamburg (frieze, Issue 89, 2004)
  • Marjetica Potrc, Galerie Nordenhake, Berlin (frieze, Issue 81, 2004)
  • Jeppe Hein. In the Line of Fire (frieze, Issue 81, 2004)
  • Udomsak Krisanamis (Contemporary Magazine, Issue 58, 2003)
  • Gordon Matta-Clark, Galerie Thomas Schulte, Berlin (frieze, Issue 78, 2003)
  • 50th Venice Biennale, Venice (frieze, Issue 77, 2003)
  • Never Never Landscape (Galerie Atle Gerhardsen, Berlin, 2003)
  • Heike Baranowsky, Galerie Barbara Weiss, Berlin (frieze, Issue 75, 2003)
  • Udomsak Krisanamis. In His Own Words, Udomsak Krisanamis (Basel: Kunsthalle Basel, 2003)
  • Documenta 11, Kassel (Camera Austria International, Issue 79, 2002)
  • Björn Dahlem. Bad Science (Artext, Fall Issue, 2002)
  • Santiago Sierra, Carlier/Gebauer, Berlin (frieze, Issue 69, 2002)
  • Rachel Harrison, Arndt & Partner, Berlin (frieze, Issue 68, 2002)
  • Urs Fischer, Contemporary Fine Arts, Berlin (frieze, Issue 67, 2002)
  • Manfred Pernice. Restepfanne, Galerie Neu, Berlin (Camera Austria International, Issue 78, 2002)
  • Laura Owens. It’s Just Painting, The Mystery of Painting (Munich: Sammlung Goetz / Kunstverlag Ingvild Goetz, 2002)
  • Interview with Elizabeth Peyton, Elizabeth Peyton. 16 Artists (Salzburg: Salzburger Kunstverein, 2002)
  • Various texts, Art Now, Artists at the Rise of the New Millennium (Cologne: Taschen Verlag, 2002)
  • Berlin: Going for Broke (Tate Magazine, Issue 27, 2001)
  • Home & Away (Gavin Brown's enterprise, New York, 1998)
  • Something Else (Exmouth Market, London, 1996)