Kirsty Bell
☰
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On Artists’ Houses
(Hospitalfield, Arbroath, Scotland, 9th November, 2024)
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Gregg Bordowitz. Dort ein Gefühl. Bonner Kunstverein
(e-flux criticism, 16th October, 2024)
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On Homemaking, with Mark Barker
(Between Bridges, Berlin, 15th September, 2024)
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An Interview with Jimmy Robert, Jimmy Robert. The Man who Envied Women. (Berlin: Bierke Verlag, 2024)
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Split-second Space, Judith Eisler. Center of the Frame (Milan: Lenz Press, 2024)
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A Conversation with Tolia Astakhishvili
(Sculpture Center, New York, 11th May, 2024)
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Kirsty Bell. Dip Akıntıları (translated by Yasemin Çongar)
(Istanbul: Siren Yayınları, 2024)
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Isabelle Cornaro. Looking at Things
(Elaine Alain, April, 2024)
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Käthe Kollwitz. For Greater Berlin, Käthe Kollwitz, (New York: MoMA, 2024)
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An interview with Thea Djordjadze
(Study Magazine, Vol. 6, 2024)
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The Reds, Sauerbruch Hutton. Drawing in Space (Berlin: Tchoban Foundation, 2024)
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How to Make Space with Kirsty Bell
(American Library, Paris, 21st February, 2024)
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Canine Fundamentals, Asta Gröting. Das Wesen von X (Leipzig: Spector Books, 2023)
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Billy Bultheel & James Richards’ “Workers in Song”. WIELS, Brussels
(e-flux criticism, 26th September, 2023)
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Spillages. With Kristian Vistrup Madsen, Vera Palme and Johanna Pistorius
(Haus am Waldsee, Berlin, 26th August, 2023)
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Rooms & Things, Tolia Astakhishvili. The First Finger, Chapter II (Berlin: Haus am Waldsee, 2023)
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Spazierengehen in Berlin. Mit David Wagner.
(Berliner Bücherfest, Berlin, 17th June, 2023)
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Common Ground, Walking in Berlin. With Amande Lee Koe and Maaza Mengiste.
(DAAD, Berlin, 11th June, 2023)
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Rosemarie Trockel, MMK Frankfurt
(4Columns, 26th May, 2023)
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Kirsty Bell. Corrientes subterráneas (translated by Elena Pérez San Miguel)
(Madrid: Errata Naturae, 2023)
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Marc Camille Chaimowicz’s Sitting Rooms
(WIELS, Brussels, 26th April, 2023)
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Berlin as Metaphor. With Vincenzo Latronico.
(Literarisches Colloquium, Berlin, 3rd April, 2023)
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Plans & Drawings, Tolia Astakhishvili. The First Finger (Bonn: Bonner Kunstverein, 2023)
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Kirsty Bell. Le correnti sotterranee. (translated by Anna Lovisolo)
(Torino: EDT, 2023)
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Approaching a City: Edward Hopper’s Visions of Urban Space
(Whitney Museum of American Art, New York, 15th February, 2023)
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Reinhard Mucha. “Der Mucha – An Initial Suspicion.” Kunstsammlung Nordrhein-Westfalen, Düsseldorf
(e-flux criticism, 9th February, 2023)
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Marc Camille Chaimowicz. Party Pieces
(The World of Interiors, February, 2023)
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A Liquid Intelligence, Ketuta Alexi-Mekhishvili. Flush (Berlin: Galerie Molitor, 2023)
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Tool and Material, or Wade Guyton and the Readymade, Wade Guyton. MCMXCIX-MMXIX. Zwei Dekaden Vol. II (Cologne: Museum Ludwig, 2022)
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On The Undercurrents, in conversation with Ulrich Baer
(Greene Naftali Gallery, New York, 11th November, 2022)
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On Kurt Schwitters Merz Barn
(frieze, 9th November, 2022)
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History, Conflict, and Myth-Making in the Cityscape of Berlin
(Lit Hub, 4th November, 2022)
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On The Undercurrents, in conversation with Elvia Wilk
(192 Books, New York, 28th September, 2022)
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Kirsty Bell. The Undercurrents. A Story of Berlin.
(New York: Other Press, 2022)
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Edward Hopper’s Studio: The Room Beyond, Approaching a City: Edward Hopper's New York (New York: Whitney Museum of American Art, 2022)
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If Berlin Walls Could Talk
(Edinburgh International Book Festival, Edinburgh, 17th August, 2022)
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In Conversation with Haegue Yang, on Mesmerizing Mesh
(Galerie Barbara Wien, Berlin, 2nd July, 2022)
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Meet me at the water’s edge
(Haus am Waldsee, Berlin, 26th June, 2022)
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Gezeiten der Stadt. Eine Geschichte Berlins
(Landeszentrale für politische Bildung, Berlin, 24th June, 2022)
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Homelands: The Undercurrents
(International Literature Festival, Dublin, 26th May, 2022)
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Lecture Series: From the Street to the Studio – Everyday Matter in Exhibition Making
(Hochschule für Bildende Künste, Braunschweig, 22nd April, 2022)
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Xinyi Cheng. The Illogic of Color, Xinyi Cheng. Seen Through Others (Paris: Lafayette Anticipations, 2022)
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Kirsty Bell. The Undercurrents. A Story of Berlin.
(London: Fitzcarraldo Editions, 2022)
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It takes energy to die …, Every Ocean Hughes. Help the Dead (Bergen: VOLT, 2022)
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Gezeiten der Stadt. Eine Geschichte Berlins
(Literaturhaus Berlin, Berlin, 26th October, 2021)
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Kirsty Bell. Gezeiten der Stadt. Eine Geschichte Berlins. (translated by Laura Su Bischoff & Michael Bischoff)
(Berlin: Kanon Verlag, 2021)
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Social Fabric Earth Return. An Afterword, Claudia Hill. Social Fabric Earth Return (Berlin: Bom Dia Boa Tarde Boa Noite, 2021)
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Second Skins, Alexandra Bircken: A-Z (Munich: Museum Brandhorst, 2021)
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The Displacement Effect
(Capitain Petzel, Berlin, 2021)
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The Unobservables: James Richards and Leslie Thornton, Divine Drudgery (Milan: Lenz Press, 2021)
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Window as Limit
(Malmö Art Academy, Malmö, 5th May, 2021)
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As If These Colors Could Heal One Of Indecision Once And For All, Andreas Eriksson. Cutouts (Berlin: Hatje Cantz Verlag, 2021)
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Kirsty Bell & Ketuta Alexi-Meskhishvili. Boiled Language
(Tblisi: Kona Books, 2020)
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Haegue Yang. Life’s Complex
(Tate Etc., Issue 50, 2020)
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A conversation with Marte Eknæs about Air Conditions
(Kunsthall Stavanger, 25th May, 2020)
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Staircase Mystery, Karl Holmqvist. Existential Staircase (Kassel: Fridericianum, 2020)
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A Tree is a Tree is a Tree, Henrik Håkansson. One Hundred Pieces of a Tree (Berlin: Hatje Cantz Verlag, 2020)
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Allison Katz. The Artist and Her Familiars, Allison Katz (Geneva: JRP Editions, 2020)
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Vision and Intermediary. On Language and the Material Imagination.
(Royal Danish Academy of Fine Arts, Copenhagen, 4th March, 2020)
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Tool & Material, or Wade Guyton and the Readymade
(Museum Ludwig, Cologne, 11th February, 2020)
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On Mark Leckey’s ‘Fiorucci Made Me Hardcore’, with Mitch Speed
(OHM, Berlin, 8th February, 2020)
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Forensics of the Readymade
(Malmö Art Academy, Malmö, 25th November, 2019)
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Katharina Grosse. Choreographies in Colour
(König, Issue 5, 2019)
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Great White Fear. Jana Euler, Galerie Neu, Berlin
(frieze, Issue 205, 2019)
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A House of Three Corners, A House of Three Corners (Turin: Galleria Franco Noero, 2019)
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Christine Roland and Jason Dodge. Wunder Kin
(The World of Interiors, June, 2019)
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Kurt Schwitters. Dwelling and Dreamspace, Homecomings 1,2,3, etc. (Berlin: archive books, 2019)
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How to Read a City. A Prelude
(Malmö Art Academy, Malmö, 14th March, 2019)
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Daniel Pflumm, Galerie Neu, Berlin
(art-agenda.com, 26th February, 2019)
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How to Read a City: A Prelude
(Karma, New York, 13th January, 2019)
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Ian White. Reflect, Suspend, Dismantle
(KW Institute for Contemporary Art, Arsenal Institut for Film and Video Art, Berlin, 2019)
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Here’s the Thing. The Resonance of Stuff
(frieze, Issue 200, 2019)
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Alex Katz. It Could Be a Pretty Girl, or It Could Be Something Else, Alex Katz. Painting the Now (Munich: Museum Brandhorst / Hirmer Verlag, 2018)
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Matters of Style
(University of Applied Arts, Vienna, 26th November, 2018)
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Bad Science: James Richards and Leslie Thornton’s Studies in Cold War Fear
(frieze, Issue 198, 2018)
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Günther Förg: At the Edges of the Visual Field
(Stedelijk Museum, Amsterdam, 9th September, 2018)
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Between Dreams and Daily Work. Notes on Alina Szapocznikow’s Studio, Alina Szapocznikow. Human Landscapes (Cologne: Verlag der Buchhandlung Walther König, 2018)
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I Have to be Curious. Otherwise I get bored. An Interview with Cecilia Edefalk
(frieze, 22nd June, 2018)
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Black Flags, a work by Ian White
(Picpus, Issue No. 20, 2018)
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Marc Camille Chaimowicz. Decoration and Domesticity
(The Jewish Museum, New York, 17th May, 2018)
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Ian White. Any frame is a thrown voice (co-curated with Mike Sperlinger)
(Camden Arts Centre, London, 2018)
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Ian White, File Note (London: Camden Arts Centre, 2018)
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Amelie von Wulffen. Composite Realities
(Art in America, Feb Issue, 2018)
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Adam Linder. Parade, Adam Linder: Who is Surfing Who (Los Angeles: Hammer Museum, 2018)
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Martin Kippenberger and the Miserable Body, Martin Kippenberger / Maria Lassnig. Body Check (Bolzano/Munich/Cologne: Museion / Lenbachhaus / Snoeck, 2018)
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Marc Camille Chaimowicz. Reiteration and Refrain, Marc Camille Chaimowicz. One to One (Hanover/Milan: Kestnergesellschaft / Mousse Publishing, 2018)
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Günther Förg and the Edges of the Visual Field, Günther Förg. A Fragile Beauty (Dallas/Amsterdam: Dallas Museum of Art / Stedelijk Museum, 2018)
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Juliette Blightman. The Soul Slips In, Juliette Blightman. Scripts, Descriptions and Texts (Bern: Kunsthalle Bern, 2018)
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Perverse Objects, Plastiglomerates and Vibrant Matter in the Natural World, Speculations on Anonymous Materials, nature after nature, Inhuman (Kassel/London: Fridericianum / Koenig Books, 2018)
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Wade Guyton. New Forms of Modernism; Ambivalence and Ambiguity; ‘An Act of Processing’, Writings on Wade Guyton (Zurich: JRP Ringier & Les Presses du Réel, 2018)
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On Laura Owens Idea of Edges, Laura Owens (New York: Whitney Museum of American Art, 2017)
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Documenta 14: Pläydoyer der Jetztzeit
(Radio Athenes, Athens, 18th November, 2017)
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In Conversation with Axel Vervoordt and Johann König
(Frieze Conference on Art & Architecture, London, 2nd October, 2017)
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A Garden of Glass, Lobmeyr Contemporary. Design since 2000 (Vienna: Birkhäuser, 2017)
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Beside Yourself. Losing your place in the world
(frieze, Issue 189, 2017)
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Enemy of the Stars, KW Institute for Contemporary Art, Berlin
(frieze, Issue 189, 2017)
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Siri Aurdal. Aspects of a Living Sculpture, Mirrored, Nordic Pavilion at the 57th Venice Biennial (Milan: Mousse Publishing, 2017)
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Learning from Athens?
(Mousse Magazine, Issue 58, 2017)
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On Emily Wardill
(Bergen Kunsthall, Bergen, 16th February, 2017)
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Thomas Bayrle. The Massive Scale of Sameness
(ICA, Miami, 2nd February, 2017)
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In Conversation with Pieter Schoolwerth
(Galerie Capitain Petzel, Berlin, 21st January, 2017)
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Peyton After Peyton: On Reality and Archetype, Elizabeth Peyton. Dark Incandescence (New York: Rizzoli, 2017)
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Emily Wardill. Informal Dreams Dreamed in Public, Emily Wardill. Things Keep their Secrets (Bergen: Bergen Kunsthall, 2017)
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Helke Bayrle’s Living Archive, Helke Bayrle (Frankfurt/Berlin: Portikus / Sternberg Press, 2017)
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Performing the Personal. On the Art of Monika Baer
(frieze, Issue 184, 2017)
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Wade Guyton, MAMCO, Geneva
(frieze, Issue 184, 2017)
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Décor. Villa Empain, Boghossian Foundation, Brussels, Belgium
(frieze, Issue 184, 2017)
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2016 Highlights
(frieze.com, 26th December, 2016)
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Acting Itself Out: Painting, Theatre and Staged Confessions
(University of Applied Arts, Vienna, 14th November, 2016)
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Thomas Bayrle. Part to Whole
(Art in America, Nov Issue, 2016)
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In Conversation with Gabriel Orozco and Stephanie Macdonald
(Frieze Conference on Art & Architecture, London, 4th October, 2016)
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In Conversation with Francis Upritchard and Martino Gamper
(Frieze Conference on Art & Architecture, London , 4th October, 2016)
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In Conversation with James Richards
(ICA, London, 3rd October, 2016)
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In Conversation with Wolfgang Tillmans
(Between Bridges, Berlin, 23rd June, 2016)
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Marc Camille Chaimowicz and John Latham. On Inhabitation, NOIT-3. Tears Shared, ed. Marc Camille Chaimowicz and Andrew Wheatley (London: Camberwell Press and Flat Time House, 2016)
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Aleksandra Domanović, Tanya Leighton, Berlin
(frieze, Issue 180, 2016)
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Rag-picking in a Digital Age
(Kunstakademie, Düsseldorf, 1st May, 2016)
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Glasgow International
(art-agenda.com, 13th April, 2016)
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Susanne Kriemann. Rock, Furnace, Rubble, Tunnel, Susanne Kriemann. Duskdust (Berlin: Sternberg Press, 2016)
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Recalibrating the Eye. Ken Okiishi and Kirsty Bell in Conversation
(Camera Austria International, Issue 134, 2016)
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Choice & Chance. At what point does a doodled line become a nose? The paintings of Allison Katz
(frieze, Issue 178, 2016)
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Rag Picking. Why has abjection gained renewed currency in art?
(frieze d/e, Issue 23, 2016)
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Lars Laumann, Kunstnernes Hus, Oslo
(frieze, Issue 178, 2016)
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Isa Genzken, Stedelijk Museum, Amsterdam
(frieze, Issue 177, 2016)
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Everyday Matter in Exhibition Making
(Malmö Art Academy, Malmö, 15th February, 2016)
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Lucy McKenzie. That Which Pleases
(Art in America, Feb Issue, 2016)
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Martin Kippenberger’s Self-Portraits, or The Importance of Ernest’s Jacket, Martin Kippenberger: Catalogue Raisonné of the Paintings, Volume Three 1987-1992 (Cologne: Verlag der Buchhandlung Walther König, 2016)
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Magali Reus. Why Look at Objects?, Magali Reus: Mustard (Zürich/Amsterdam: JRP Ringier / Stedelijk Museum, 2016)
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James Richards. Seeing and Being Seen
(frieze, Issue 180, 2016)
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Raymond Hains, Galerie Max Hetzler, Berlin
(frieze, Issue 176, 2016)
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Interview with Carsten Nicolai, Carsten Nicolai. Parallel Lines Cross at Infinity (Berlin: Gestalten Verlag, 2015)
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14th Istanbul Biennial. Various venues, Turkey
(frieze, Issue 175, 2015)
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Nicole Wermers. Between the Lines
(L’Officiel Art, Sep - Nov Issue, 2015)
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Anicka Yi, Kunsthalle Basel
(frieze, Issue 173, 2015)
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Go Tell It on the Mountain, Politische Landschaft / Political Landscape. Kunst, Widerstand, Salzkammergut (Berlin: Sternberg Press, 2015)
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Michael Beutler. Ex Machina
(frieze d/e, Issue 20, 2015)
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Bojan Šarčević, BQ, Berlin, Germany
(frieze, Issue 172, 2015)
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Two By Two. Mary Heilmann & David Reed, Hamburger Bahnhof, Berlin
(frieze, Issue 172, 2015)
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Gallery Weekend Berlin
(art-agenda.com, 4th May, 2015)
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Meyer Vaisman, Portikus, Frankfurt
(frieze, Issue 171, 2015)
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On The Artist’s House
(Radio Athenes, Athens, 22nd April, 2015)
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Etc. Essay: Textiles and art
(Tate Etc., Issue 33, 2015)
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Aleksandra Domanović. Digital Sculptor
(Art in America, Apr Issue, 2015)
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Sleep On It. Shrinking workspaces and reclining labour
(frieze d/e, Issue 18, 2015)
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Yael Bartana, Capitain Petzel, Berlin
(art-agenda.com, 25th February, 2015)
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Martin Arnold. One need not be a chamber to be haunted, Martin Arnold. Gross Anatomies (Vienna: Verlag für Moderne Kunst, 2015)
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Marc Camille Chaimowicz’s Provisional Interiors
(Parkett, Issue 96, 2015)
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Christina Mackie’s The Judges, Christina Mackie (Nottingham: Nottingham Castle Museum, 2015)
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2014 Highlights
(frieze d/e blog, 31st December, 2014)
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Frankfurt’s Städelschule: Free Artistic Work and the Paradox of Introversion
(artandeducation.net, 8th December, 2014)
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Judith Hopf. Situational Humor
(Art in America, Dec Issue, 2014)
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Let The Body Be Electric, Let There Be Whistleblowers. Dan Gunn, Berlin
(frieze, Issue 167, 2014)
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Alice Neel. Her Family and Other Animals, Alice Neel. My Animals and Other Family (London: Victoria Miro, 2014)
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In Focus: Katja Novitskova
(frieze, Issue 166, 2014)
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Mariana Castillo Deball. A Vital Asymmetry, Mariana Castillo Deball. Parergon (Berlin/Cologne: Hamburger Bahnhof / Verlag der Buchhandlung Walther König, 2014)
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Dorothy Iannone. The Whole Truth
(frieze d/e, Issue 16, 2014)
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Christina Mackie. The Weight of Things
(Art in America, Sep Issue, 2014)
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Julian Beck, Supportico Lopez, Berlin
(frieze d/e, Issue 16, 2014)
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Reinhard Mucha, Sprüth Magers, Berlin,
(frieze, Issue 165, 2014)
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Gerry Bibby / Juliette Blightman, KUB Arena, Kunsthaus Bregenz
(frieze, Issue 164, 2014)
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Daniel Gustav Cramer. Disappearances, Daniel Gustav Cramer. 01-72 (Basel: Christophe Daviet-Thery and Samuel Leuenberger / SALTS, 2014)
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On The Artist’s House
(Gavin Brown’s enterprise, New York, 25th May, 2014)
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On The Artist’s House, in Conversation with Sharon Johnston
(356 Mission, Los Angeles, 25th May, 2014)
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The Artist’s House. Slide Lecture
(Inverleith House, Edinburgh, 12th May, 2014)
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In Focus: Loretta Fahrenholz
(frieze, Issue 163, 2014)
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The Artist and the Place
(Bonniers Konsthall, Stockholm, 12th March, 2014)
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how to write III | artists read their texts’ at Galerie Wien Lukatsch, Berlin
(art-agenda.com, 5th March, 2014)
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Annette Kelm. Analog Encounters
(Art in America, Mar Issue, 2014)
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Book Presentation: The Artist’s House
(Villa Stuck, Munich, 28th February, 2014)
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Textiles
(frieze d/e, Issue 13, 2014)
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In the Studio: Pablo Bronstein
(Art in America, Feb Issue, 2014)
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Andreas Eriksson. Landscape as Memory, Limit as Method, Andreas Eriksson (London: Koenig Books, 2014)
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The Artist’s House. Notes on Objects and Inhabitation, QUIZ. Sur une idée de Robert Sadler (Nancy/Paris: Galerie Poirel / Manuella Editions, 2014)
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2013 Highlights
(frieze d/e blog , 31st December, 2013)
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Pablo Bronstein, Centre d’art contemporain, Geneva
(frieze d/e, Issue 12, 2013)
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Symposium: Educating Artists?
(KW Institute for Contemporary Art, Berlin, 8th November, 2013)
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Alejandro Cesarco. n.b.k. Showroom, Berlin
(Camera Austria International, Issue 124, 2013)
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The Artist’s House. From Workplace to Artwork
(Oslo Academy of Art, Oslo, 30th October, 2013)
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Henrik Olesen’s “Hysterical Men” at Galerie Buchholz, Berlin
(art-agenda.com, 29th October, 2013)
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Kirsty Bell. The Artist’s House. From Workplace to Artwork
(Berlin: Sternberg Press, 2013)
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Phil Collins. Attending Intently to You
(Art in America, Oct Issue, 2013)
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Sunrise to Sunset. T.J. Wilcox talks to Kirsty Bell
(frieze, Issue 157, 2013)
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Let’s Get Together. ‘Painting Forever!’
(frieze, Issue 157, 2013)
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Lena Maria Thüring, Lena Maria Thüring. Manor Kunstpreis Basel 2013 (Basel: Museum für Gegenwartskunst, 2013)
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Eduard van der Heydt
(Picpus, Sep Issue, 2013)
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Il Palazzo Enciclopedico. 55. Biennale di Venezia
(frieze d/e, Issue 11, 2013)
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Stefan Müller, Koelnischer Kunstverein, Cologne
(frieze, Issue 156, 2013)
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Eva Kotátková’s “They are Coming” at Meyer Riegger, Berlin
(art-agenda.com, 5th June, 2013)
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An Interview with Günther Förg
(Mousse Magazine, Issue 39, 2013)
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Outsider Trading
(frieze d/e, Issue 10, 2013)
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Thea Djordjadze. The Secret Life of Objects
(Art in America, May Issue, 2013)
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In Conversation with Katharina Grosse
(Art Cologne, Cologne, 19th April, 2013)
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Thomas Scheibitz. Code Maker
(frieze, Issue 154, 2013)
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Ed Atkins’ “Warm, Warm, Warm Spring Mouths” at Galerie Isabella Bortolozzi, Berlin
(art-agenda.com, 1st April, 2013)
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Neptune Society. Galerie Daniel Buchholz, Berlin
(frieze, Issue 153, 2013)
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Katharina Grosse. Off the Wall
(frieze d/e, Issue 8, 2013)
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Anna Molska
(frieze, Issue 160, 2013)
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Jessica Jackson Hutchins. Invisible Bodies, Jessica Jackson Hutchins. Everything Erlaubt (Wakefield/Biel: The Hepworth Wakefield / Kunsthaus Pasquart, 2013)
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Jeppe Hein. Step Right Up, Jeppe Hein. A Smile for You (Stockholm/London: Bonniers Konsthall / Koenig Books, 2013)
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Marie Lund, Croy Nielsen, Berlin
(frieze, Issue 152, 2013)
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Monica Bonvicini, Deichtorhallen – Sammlung Falckenberg, Hamburg
(frieze, Issue 152, 2013)
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“Believers”, KOW, Berlin
(art-agenda.com, 19th December, 2012)
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Roni Horn. Ripples like Water or Expressions on a Face, Roni Horn (Munich/Berlin: Sammlung Goetz / Hatje Cantz, 2012)
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Emily Wardill. Borderlands
(Art in America, Nov Issue, 2012)
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Monika Sosnowska. Through the Eye of Architecture
(Camera Austria International, Issue 120, 2012)
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Rob Pruitt, Kunstverein Freiburg
(frieze, Issue 150, 2012)
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Jimmie Durham. Various Elements
(frieze, Issue 150, 2012)
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The New Décor (London: Hayward Publishing, 2012)
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Dominique Gonzalez-Foerster’s “Return to No-Return”, Esther Schipper, Berlin
(art-agenda.com, 14th May, 2012)
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Claes Oldenburg, Mumok, Vienna
(frieze, Issue 147, 2012)
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Open Eyes
(frieze, Issue 147, 2012)
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Alina Szapocznikow. Bodily Presence
(Art in America, Apr Issue, 2012)
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Amy Sillman, Capitain Petzel, Berlin
(frieze d/e, Issue 4, 2012)
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Seven Chapters on Charline von Heyl, Charline von Heyl. Now or Else (Nürnberg/Liverpool/Bielefeld: Kunsthalle Nürnberg / Tate Liverpool / Kerber Verlag, 2012)
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Cathy Wilkes and the Vantage Point of Being Alive
(Gesellschaft für Aktuelle Kunst, Bremen, 12th January, 2012)
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Hilary Lloyd Works, Hilary Lloyd (Basel/Berlin: Museum für Gegenwartskunst / Hatje Cantz, 2012)
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Rosa Barba and the Fabric of Language, Rosa Barba. In Conversation with (Milan: Mousse Publishing, 2012)
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A Mapping of Mona Hatoum, Mona Hatoum. You Are Still Here. (Istanbul: Arter, 2012)
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Jos de Gruyter & Harald Thys, Neuer Aachener Kunstverein
(frieze, Issue 142, 2011)
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Hilary Lloyd. Paying Attention
(Camera Austria International, Issue 115, 2011)
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ILLUMInations. 54. Biennale di Venezia
(Camera Austria International, Issue 115, 2011)
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International Pavilions. 54th Venice Biennale
(art-agenda.com, 6th June, 2011)
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Janet Cardiff & George Bures Miller. The Imagination is Never Wrong, Janet Cardiff & George Bures Miller. Käthe-Kollwitz-Preis 2011 (Berlin: Akademie der Künste, 2011)
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Martin Creed’s “Paintings” at Johnen Galerie, Berlin
(art-agenda.com, 12th May, 2011)
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Rosa Barba. Suspended Animation
(frieze, Issue 139, 2011)
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The Studio Reader: On the Space of Artists
(Camera Austria International, Issue 114, 2011)
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Heimo Zobernig. Showroom Dummies
(frieze d/e, Issue 1, 2011)
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Collier Schorr. The Regularity of Difference
(Camera Austria International, Issue 114, 2011)
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Cerith Wyn Evans’s “Assemblage” at Galerie Neu, Berlin
(art-agenda.com, 10th March, 2011)
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Absalon, KW Institute for Contemporary Art, Berlin
(frieze, Issue 137, 2011)
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VIP Art Fair
(art-agenda.com, 26th January, 2011)
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Susanne M. Winterling. Traces of the True, Susanne M. Winterling. Kunstpreis der Stadt Nordhorn 2010 (Nordhorn: Städtische Galerie Nordhorn, 2011)
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The Good, The Bad, and the Impossible. Perspectives on Painting in an Open Field. Conversation with Alexander Schröder, abc art berlin contemporary: about painting (Milan: Mousse Publishing, 2011)
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Werner Feiersinger. Out of the Ordinary, Werner Feiersinger. Sculpture (Berlin: Distanz, 2011)
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Nick Relph. A History of Tartan
(Mousse Magazine, Issue 26, 2010)
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Jay Chung and Q Takeki Maeda
(frieze, Issue 135, 2010)
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Willem de Rooij, Neue Nationalgalerie, Berlin
(Camera Austria International, Issue 112, 2010)
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Renata Lucas, KW Institute for Contemporary Art, Berlin
(Von Hundert, Nov Issue, 2010)
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art forum berlin & abc art berlin contemporary: “light camera action”
(art-agenda.com, 13th October, 2010)
-
Klaus Weber. What Goes Around
(frieze, Issue 134, 2010)
-
Various texts, Frieze Yearbook 2010 (London: Frieze Publishing, 2010)
-
Abstract Painting: Dunham, von Heyl, Mauss
(Academy of Applied Arts, Vienna, 1st October, 2010)
-
Rashid Johnson’s ‘There are Stranger Villages’ at Guido W. Baudach, Berlin
(art-agenda.com, 23rd September, 2010)
-
Arto Lindsay
(frieze.com, 20th September, 2010)
-
Matthew Buckingham
(Mousse Magazine, Issue 25, 2010)
-
What is Waiting Out There.
6th Berlin Biennale for Contemporary Art
(Camera Austria International, Issue 111, 2010)
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Elizabeth Peyton, At Home/Not At Home (Annandale on Hudson, NY: Bard College, 2010)
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Nick Mauss, Nick Mauss. Geschenkpapiere (London: Koenig Books, 2010)
-
Liam Gillick’s “1848!!!” at Esther Schipper, Berlin
(art-agenda.com, 14th July, 2010)
-
Cathy Wilkes. The Vantage Point of Being Alive
(Mousse Magazine, Issue 24, 2010)
-
Simon Fujiwara
(frieze, Issue 132, 2010)
-
The Way We Do Art Now. Tanya Leighton Gallery, Berlin
(frieze, Issue 132, 2010)
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Whitney Biennial 2010
(Camera Austria International, Issue 110, 2010)
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Rudolf Stingel. Surface Tension
(frieze, Issue 131, 2010)
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Early Years. KW Institute for Contemporary Art, Berlin
(frieze, Issue 131, 2010)
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Alicja Kwade. Uncommon Objects, Alicja Kwade (Hannover/Münster : Kestnergesellschaft / Westfaelischer Kunstverein, 2010)
-
Manuel Graf. The Craftsman
(Mousse Magazine, Issue 22, 2010)
-
Artist, Home and Artefact. Schwitters, Krasiński, Winterling
(Gesellschaft für Aktuelle Kunst, Bremen, 14th January, 2010)
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Ruth Laskey, Galerie Cinzia Friedlaender, Berlin
(frieze, Issue 128, 2010)
-
The Art of Tomorrow (Berlin: Distanz, 2010)
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General Idea, Esther Schipper, Berlin
(Von Hundert, Nov Issue, 2009)
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Thomas Demand, Neue Nationalgalerie, Berlin
(frieze, Issue 127, 2009)
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Perversely Yours….
(Kaleidoscope, Nov - Dec Issue, 2009)
-
Jonathan Horowitz. State of the Nation
(frieze, Issue 127, 2009)
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53. Biennale di Venezia
(Camera Austria International, Issue 107, 2009)
-
Various texts, Frieze Yearbook 2009 (London: Frieze Publishing, 2009)
-
Björn Braun
(Mousse Magazine, Issue 20, 2009)
-
Confiscating: Nora Schultz
(Mousse Magazine, Issue 19, 2009)
-
Carol Rama, Galerie Isabella Bortolozzi, Berlin
(frieze, Issue 124, 2009)
-
Hanne Darboven, Klosterfelde, Berlin
(Von Hundert, Jun Issue, 2009)
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Interior / Exterior, Kunstmuseum Wolfsburg
(frieze, Issue 124, 2009)
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Charline von Heyl. Its Own Reality
(frieze, Issue 123, 2009)
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Katja Strunz, Contemporary Fine Arts, Berlin
(frieze, Issue 121, 2009)
-
Deborah Ligorio
(frieze, Issue 121, 2009)
-
Kara Uzelman. The Cavorist Project, Sommer & Kohl, Berlin
(Von Hundert, Feb Issue, 2009)
-
Susanne Winterling
(Camera Austria International, Issue 105, 2009)
-
Various texts, 100 Contemporary Artists (Cologne: Taschen Verlag, 2009)
-
Klaus Weber, Vitamin 3D. New Perspectives in Sculpture and Installation (London: Phaidon, 2009)
-
Carroll Dunham. The Thing and the Natural World, Carroll Dunham. Works on Paper (Cologne: Museum Ludwig, 2009)
-
55th Carnegie International. Life on Mars
(Camera Austria International, Issue 104/103, 2008)
-
Various texts, Frieze Yearbook 2008 (London: Frieze Publishing, 2008)
-
Sophia Tabatadze. Under Construction
(BE, Issue 15, 2008)
-
A Bit of Matter
(Karriere, Issue 3, 2008)
-
Thomas Demand, Kunsthalle Hamburg
(Camera Austria International, Issue 102, 2008)
-
Carroll Dunham, c/o Alte Gerhardsen, Berlin
(Von Hundert, Jul Issue, 2008)
-
Fischli & Weiss, Deichtorhallen Hamburg
(Camera Austria International, Issue 102, 2008)
-
Manfred Kuttner, Johann König, Berlin
(frieze, Issue 116, 2008)
-
Monika Sosnowska. Time and Space
(frieze, Issue 116, 2008)
-
A Mapping of Mona Hatoum, Mona Hatoum. Unhomely (Berlin: Galerie Max Hetzler, 2008)
-
Jimmy Robert
(frieze, Issue 115, 2008)
-
Emily Jacir. Another Country
(frieze, Issue 114, 2008)
-
Annette Kelm
(frieze, Issue 113, 2008)
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Kirsten Pieroth, Klosterfelde, Berlin
(Von Hundert, Feb Issue, 2008)
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Alice Neel, Aurel Scheibler, Berlin
(frieze, Issue 112, 2008)
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Nick Mauss, Galerie Neu, Berlin
(frieze, Issue 112, 2008)
-
Uwe Henneken. Once Upon a Time in the West, Uwe Henneken. Tiptoe to Tipperary (Berlin: Contemporary Fine Arts, 2008)
-
Mark Leckey. Being in the World
(Camera Austria International, Issue 101, 2008)
-
52. Biennale di Venezia
(Camera Austria International, Issue 100, 2007)
-
Focus: Tilo Schulz
(frieze, Issue 111, 2007)
-
Various texts, Frieze Yearbook 2007 (London: Frieze Publishing, 2007)
-
Andreas Slominski, Museum Boijmans van Beuningen, Rotterdam
(frieze, Issue 110, 2007)
-
Neue Heimat, Berlinische Galerie, Berlin
(frieze.com, 18th September, 2007)
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Preis der Nationalgalerie für Junge Kunst, Hamburger Bahnhof, Berlin
(frieze.com, 14th September, 2007)
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Frances Stark, Van Abbemuseum, Eindhoven
(frieze, Issue 109, 2007)
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Danh Vo, Galerie Isabella Bortolozzi, Berlin
(frieze, Issue 109, 2007)
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Focus: Judith Hopf
(frieze, Issue 109, 2007)
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Christine Würmell
(Camera Austria International, Issue 98, 2007)
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Focus: Ulla von Brandenburg
(frieze, Issue 106, 2007)
-
Frank Nitsche, Frank Nitsche (Cologne: Verlag der Buchhandlung Walther König, 2006)
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Eberhard Havekost, Kunstmuseum Wolfsburg
(frieze, Issue 99, 2006)
-
Berlin: City of Artists
(Red Hot Magazine, Spring Issue, 2006)
-
Focus: Uwe Henneken
(frieze, Issue 98, 2006)
-
Daria Martin. Track and Field
(frieze, Issue 97, 2006)
-
Andrea Bowers, Mehdi Chouakri, Berlin / Matthew Antezzo, Klosterfelde, Berlin
(Neue Review, Jan Issue, 2006)
-
Various texts, Art Now Vol. 2 (Cologne: Taschen Verlag, 2005)
-
Oliver Payne & Nick Relph, Serpentine Gallery, London
(Camera Austria International, Issue 92, 2005)
-
Various texts, Frieze Yearbook 2005 (London : Frieze Publishing, 2005)
-
Klaus Weber. Interview
(Untitled, Autumn Issue, 2005)
-
T.J. Wilcox
(Afterall, Issue 12, 2005)
-
Focus: Wade Guyton
(frieze, Issue 93, 2005)
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Artur Żmijewski, Kunsthalle Basel
(Camera Austria International, Issue 91, 2005)
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Put About. A Critical Anthology on Independent Publishing, Bookworks
(Camera Austria International, Issue 91, 2005)
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International Art Galleries. Post-War to Post-Millenium (Cologne: Dumont Verlag, 2005)
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Laura Owens, Laura Owens (Tokyo: Shiseido Gallery, 2005)
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Fischli & Weiss. The Order of Things
(Art Review, Jul Issue, 2005)
-
Focus: Markus Schinwald
(frieze, Issue 92, 2005)
-
Focus: Torsten Slama
(frieze, Issue 91, 2005)
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An Aside: Selected by Tacita Dean, Camden Arts Centre, London
(Camera Austria International, Issue 90, 2005)
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Focus: Knut Henrik Henriksen
(frieze, Issue 90, 2005)
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Regarding Terror. KW Institute for Contemporary Art, Berlin
(frieze, Issue 89, 2005)
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The Persistence of Paper, Drawings (Berlin: Galerie Max Hetzler, 2005)
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Hans-Peter Feldmann. Ask me no questions … and I’ll tell you no lies
(Art Review, Dec / Jan Issue, 2004)
-
Landscapes, Turbulenz. Portikus Projekte 2001-2004 (Frankfurt: Portikus, 2004)
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Aleksandra Mir
(Camera Austria International, Issue 88, 2004)
-
Frances Stark. Collected Writings 1993-2000
(Camera Austria International, Issue 87, 2004)
-
Focus: Anselm Reyle
(frieze, Issue 86, 2004)
-
Various texts, Frieze Yearbook 2004 (London: Frieze Publishing, 2004)
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Bojan Šarčević, Carlier Gebauer, Berlin
(frieze, Issue 85, 2004)
-
The Salvage City: Berlin Sculptors
(Art Review, Jul-Aug Issue, 2004)
-
Kirsten Pieroth. Table of Contents
(frieze, Issue 84, 2004)
-
Richard Prince. Women
(Camera Austria International, Issue 87, 2004)
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Kai Althoff. Escape Artist
(Art Review, Jun Issue, 2004)
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Frank Nitsche, Galerie Max Hetzler, Berlin
(frieze, Issue 83, 2004)
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Formalism. Modern Art Today, Hamburger Kunstverein, Hamburg
(frieze, Issue 89, 2004)
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Marjetica Potrc, Galerie Nordenhake, Berlin
(frieze, Issue 81, 2004)
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Jeppe Hein. In the Line of Fire
(frieze, Issue 81, 2004)
-
Udomsak Krisanamis
(Contemporary Magazine, Issue 58, 2003)
-
Gordon Matta-Clark, Galerie Thomas Schulte, Berlin
(frieze, Issue 78, 2003)
-
50th Venice Biennale, Venice
(frieze, Issue 77, 2003)
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Never Never Landscape
(Galerie Atle Gerhardsen, Berlin, 2003)
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Heike Baranowsky, Galerie Barbara Weiss, Berlin
(frieze, Issue 75, 2003)
-
Udomsak Krisanamis. In His Own Words, Udomsak Krisanamis (Basel: Kunsthalle Basel, 2003)
-
Documenta 11, Kassel
(Camera Austria International, Issue 79, 2002)
-
Björn Dahlem. Bad Science
(Artext, Fall Issue, 2002)
-
Santiago Sierra, Carlier/Gebauer, Berlin
(frieze, Issue 69, 2002)
-
Rachel Harrison, Arndt & Partner, Berlin
(frieze, Issue 68, 2002)
-
Urs Fischer, Contemporary Fine Arts, Berlin
(frieze, Issue 67, 2002)
-
Manfred Pernice. Restepfanne, Galerie Neu, Berlin
(Camera Austria International, Issue 78, 2002)
-
Laura Owens. It’s Just Painting, The Mystery of Painting (Munich: Sammlung Goetz / Kunstverlag Ingvild Goetz, 2002)
-
Interview with Elizabeth Peyton, Elizabeth Peyton. 16 Artists (Salzburg: Salzburger Kunstverein, 2002)
-
Various texts, Art Now, Artists at the Rise of the New Millennium (Cologne: Taschen Verlag, 2002)
-
Berlin: Going for Broke
(Tate Magazine, Issue 27, 2001)
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Home & Away
(Gavin Brown's enterprise, New York, 1998)
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Something Else
(Exmouth Market, London, 1996)